This is my tribute to beautiful documentary interviews. Screengrabs from films, posted occasionally. Different styles, all striking. This site is intended as a source book for filmmakers and film lovers.

8th December 2011

The Devil’s Accordion (2000). Directed by Stefan Schwietert. Cinematographry by Ciro Cappellari.
The heart of this film is a non-interview with Colombian accordion master Pacho Rada. A narrator tells us Rada’s life story in first person, presumably using a script translated from an off-camera interview.
Here is the younger accordion star Alfredo Gutierrez citing the less savory side  of his country’s music history.
“As a musician I didn’t escape the influences that, in various ways, more or less all artists were subjected to: the influences from the drug era here on the Colombian coast. The world of drugs is a part of our folklore - it is even a part of the Vallenato music mentality. Back in the 1970s the musicians identified with the drug people, because they got support from them.”

The Devil’s Accordion (2000). Directed by Stefan Schwietert. Cinematographry by Ciro Cappellari.

The heart of this film is a non-interview with Colombian accordion master Pacho Rada. A narrator tells us Rada’s life story in first person, presumably using a script translated from an off-camera interview.

Here is the younger accordion star Alfredo Gutierrez citing the less savory side of his country’s music history.

“As a musician I didn’t escape the influences that, in various ways, more or less all artists were subjected to: the influences from the drug era here on the Colombian coast. The world of drugs is a part of our folklore - it is even a part of the Vallenato music mentality. Back in the 1970s the musicians identified with the drug people, because they got support from them.”

Tagged: documentaryfilmaccordionColombia